Posts in Category: News

Biography Progess Report #16: Pre-Orders Now Available!

Year of Ann Dvorak: Day 93

Two bits of good news came down the pipeline yesterday. First off, the University Press of Kentucky sent me cover art for the book. Unfortunately, I cannot post it quite yet, but will as soon as UPK gives the green light. What I can share is that it’s gorgeous and features a very sultry pre-Code pic of Ann. When I saw it, I damn near cried like a baby. After so many years, this book is really going to come out.

As if seeing the cover wasn’t enough excitement for one day, I also discovered that the book is now posted on UPK’s website as well as Amazon, meaning that pre-orders are now available! There isn’t too much information yet, but it does list a release date of November 4th and 376 glorious pages of Ann Dvorak. The exact date is subject to change, but November should definitely be the month.

Just a word of caution. If you click on my name from the Amazon listing, and see  A Child’s Life Inside a Cult, I am in no way shape or form the author of that one. As my boss pointed out, I should have used a middle initial.

Let the countdown begin!

“Massacre” on DVD

Year of Ann Dvorak: Day 77

At long last, the 1934 Warner Bros. pre-Code, Massacre will be readily available, courtesy of the Warner Archive. I have talked about Massacre on this site a few times, so I won’t rehash all that again. I’ll just say that of the mountain of films Ann made in 1934, Massacre is one of the better ones.

Massacre is included in the Forbidden Hollywood Collection: Volume 6, set to be released on April 2nd and is now available to pre-order. The other titles in the set are The Wet Parade (1932) with Dorothy Jordon, Lewis Stone, and Neil Hamilton, Downstairs (1932) with John Gilbert, Paul Lukas, and Virginia Bruce (really looking forward to seeing this one), and Mandalay (1934) with Kay Francis and Ricardo Cortez.

To read my previous musings about Massacre, go here, here, and here.

Go pre-order Massacre here. Huzzah!

Ann Dvorak: Animal Lover

Year of Ann Dvorak: Day 71

Yesterday, I had the unfortunate experience of spending the morning with my dear friend Darin while he had his terminally ill cat, Betty, put to sleep. Betty was a fine lady, and a Siamese cat. As with most things in my life, I was reminded of Ann Dvorak because she too had a Siamese cat named Omar who lived with her in Hawaii in the 1960s. Ann absolutely doted on Omar, so much so that he gets a couple of paragraphs in the book. This love of animals was something Ann exhibited her entire life.

I never came across any mentions of childhood pets, and since Ann moved around so much as a kid, it’s possible she never had any. However, once Ann and first husband, Leslie Fenton, settled down in the San Fernando Valley, they more than made up for it. The couple deliberately built a small home to discourage house guests, but had no problem sharing their digs with furry and feathered friends.  The raised rabbits and chickens, had a couple of cows for awhile along with two Cocker Spaniels and a Daschund named Heinzie.

Nothing could throw Ann into a blind rage the way cruelty to animals did. If she became aware of any critters being harmed during a film shoot, she had no problem reporting her studio to the ASPCA. Her last husband once had to physically restrain her from going after some neighborhood boys in Hawaii who had been throwing stones at cats.  As if we needed another reason to love Ann Dvorak!

Here’s to Ann, her cat Omar and our dearly departed friend Betty. Hope you’re all hanging out somewhere.

Was Ann Dvorak in “FP1?”

Year of Ann Dvorak: Day 70

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Advertisement for the German-language version of F.P.1. (Heritage Auctions)

Ann Dvorak had a handful of reasons for walking out on her Warner Bros. contract and traveling to Europe in the summer of 1932; exhaustion, wanderlust, lust in general (she had recently gotten married and wanted to go on a honeymoon). What prompted Ann and her husband Leslie Fenton to take off across the Atlantic is that Fenton was offered a part in the film F.P.1.

F.P.1., a science-fiction/spy drama set on a floating air station, was shot simultaneously in French, German, and English and jointly produced by Gaumont, UFA, and Les Productions Fox Europa. Fenton was cast in a supporting role in the English-language version and jumped at the chance to be involved in the production which was filmed in Berlin and the Baltic Sea. As soon as he confirmed, that also instantly meant that Ann would be coming, as there was no way the couple would have an ocean and continent between them.

Ann was reportedly offered the lead role, which was ultimately played by Jill Esmond, opposite Conrad Veidt. As much as Ann may have wanted to star in appear in another film with her husband (they had previously appeared together in The Strange Love of Molly Louvain before they were married), she knew that appearing in a non-Warner Bros. film would burn her last bridge with the studio. At this point, she wasn’t sure what their reaction was going to be to her lengthy absence, and she decided not to violate her contract further by acting in another studio’s film. It’s kind of a shame that she didn’t make the film, because it would have been a more sophisticated part that what she usually got at Warner Bros.

Ann may have not starred in F.P.1., but did she appear in it anyway? She came with Fenton to the set everyday, and was around so much that the crew nicknamed the couple “the inseperables.” When I sat down to watch the film, it occurred to me that maybe Ann would have been put in the film as an extra, just for kicks. As I sat through it, I had my Ann-detector on and think I may have spotted her. The movie opens with a party scene and for a split second, there is a woman who walks through the frame who bears a striking resemblance to Ann as Cesca Camonte, the character she played in Scarface. I tried to grab a some screen shots, from the moment that lasts maybe 2 seconds.

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The one thing that leads me to think it wouldn’t be her is that Fenton is not in the scene, so they would not have been required to be on set. Otherwise, I think there’s a good possibility that it’s our Divine Miss D slinking her way through a couple of frames in F.P.1.

What do you think?

Go Vote For Ann Dvorak in the “Classic Movie Actresses Tournament 2013”

Year of Ann Dvorak: Day 64

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Some of the other classic film bloggers are having a little fun starting this week with the 3rd annual Classic Movie Actresses Tournament. Different sites are hosting different decades of the tournament, and you can see the full run down over at A Mythical Monkey Writes About the Movies. Amazingly enough, our dear Ann is included in the 1930s bracket, though she’s rather unfairly pitted against Marlene Dietrich. She seems to be holding her own so far, but can probably use a boost from some of her devoted fans. So, if you get a second, pop on over to All Good Things blog and cast your vote for the Divine Ms. Dvorak. Voting for this first round wraps up on Wednesday evening.

“Three on a Match” on the Big Screen

Year of Ann Dvorak: Day 13

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To honor my birthday tomorrow, the IFC Center in New York will be screening Three on a Match at 8:00pm. OK, the part about them doing it for my birthday isn’t true and as I live 3,000 miles away and will be at Disneyland with my daughter, I will not actually be attending. However, I heartily encourage all you New Yorkers to go in my stead. Three on a Match is my favorite Ann movie, and I have never experienced on the big screen, so take advantage of this gift, if you can!

 

Ann Dvorak “Post pre-Code” Recommendations

Year of Ann Dvorak: Day 12

Yesterday, I complied a list of my top five favorite Ann Dvorak films. However, after coming up with my titles, I realized they were all from the pre-Code era. Not wanting to ignore Ann’s later work, I have put together, in no particular order, some recommendations for her post pre-Code period.

“Love is a Racket” on TCM

Year of Ann Dvorak: Day 10

Love is a Racket is going to air on Turner Classic Movies on Friday, January 11th at 3:00am PST.

Click here to see previous comments on Love is a Racket.

Yeah, I’m taking the easy road today.

“Walls of Jericho” on the Big Screen

Year of Ann Dvorak: Day 9

 

If I were in Chicago tonight, and could find a baby sitter, you would totally find me at the Portage Theater for a screening of the 1948 20th Century-Fox production, The Walls of Jericho. Presented by the Northwest Chicago Film Society, a 35mm print will be screened of this turn of the century drama starring Cornel Wilde, Anne Baxter, Kirk Douglas, Linda Darnell, and of course, Ann Dvorak.

I re-watched this one recently while writing about it in the Dvorak bio, and must admit that it’s an engaging film. Ann has a very small role, which had become the norm at this point in her career, but as Belle Connors (great name) she is a bitter and caustic drunk with an insecure streak not seen in most of her other characters. Belle is a loathsome person who behaves irrationally most of the time, but through Ann, she does illicit some sympathy as she is clearly battling some major demons. And, she gets to wield a gun!

As much as I adore Ann, the real stand out for me  is Linda Darnell. As the conniving and opportunistic Algeria Wedge (another great name), she is delightfully evil while looking fabulous  in the period costumes.

The Walls of Jericho is not a film that gets a lot of play, so good for the Northwest Chicago Film Society for screening this one.

 

Los Angeles Conservancy Gives Ann Dvorak Estate Some Attention

Year of Ann Dvorak: Day 4

I recently spent a bit of time reliving my wedding on the Ann Dvorak estate five years ago. You’re probably sick of reading about my wedding. If so, you may want to move on and wait for tomorrow’s post. If you’re a hopeless romantic, or just can’t get enough of Ann’s San Fernando Valley estate, the Los Angeles Conservancy has included my submission about it in their new “Share Your Story” feature on their website.

If you couldn’t already tell, I’m simply mad about the property even though I can’t afford to own it. I also adore the folks at the Conservancy and the work they do. Back before I was a mom and had more time on my hands, I was a docent on their Broadway Theaters walking tour and actively helped plan the annual Last Remaining Seats event. I successfully pitched the 1932 Scarface for the 2007 line-up and had my peanut-gallery with me to scream our heads off when Ann first popped up on screen. If you ever took my Broadway tour, I am pretty sure it was the only one to talk about how Ann’s mom, Anna Lehr played the Orpheum (now called the Palace) in 1914, or that the Cameo was built by producer William H. Clune who was responsible for the 1916 Ramona, where a four-year-old Ann Dvorak made her film debut.

Ok, I’m pretty sure I’ve gotten all this wedding business out of my system…at least for 100 posts or so.