Those of you who have stuck around this site long enough already know that a big chunk of Ann Dvorak: Hollywood’s Forgotten Rebel was written during my subway commute from the Valley to Downtown Los Angeles. The folks at Metro who run the trains thought it was a pretty good story and put together, what I think, is a pretty elaborate piece for their show Metro Motion.
When I first spoke with one of their reps, I figured my story would warrant a blog post so I was really surprised when I ended up spending over 3 hours with them a couple of months back. I think the shot of me pretending to wait for the train is kind of silly, and it’s an brutal reminder that I am still a long ways off from my pre-pregnancy weight, but overall it’s pretty awesome. Plus, the hubby and daughter get to make a cameo.
The video should be kind of cued up to my segment, but if not it’s at 7:42 and runs about 4 minutes.
As some of you may already know, Three on a Match was the film that introduced me to Ann Dvorak back in the mid 1990s and got me started on this crazy journey. Since that first viewing, I have watched the film countless times, though I had never seen it on a big screen with an audience. This past weekend, I screened Three on a Match at Central Library where I work and preceded it with a brief lecture on pre-Code cinema. First off, I was happy to have around 50 people show up, which was pretty good considering it was a rare rainy day in Los Angeles which usually sends residents cowering inside (present company included). We even sold a few books after!
Of all the times I have watched this film in the past 18 or so years, I had never been moved to tears by it. Sure, I had always been blown away by Ann’s performance, but it never actually made me cry. That changed on Saturday and I was surprised to find myself choking back the tears during the movie’s climatic scenes. After the film ended, it dawned on me that this was the first time I had watched it since becoming a mother. I don’t know if that’s why Ann’s final scenes with her young child got to me, or if it were that much more dramatic watching it on a big screen. Either way, the fact remains that Three on a Match is a damn fine movie with one hell of a performance from Ann Dvorak.
The other thing I noticed while watching it is that a lot of scenes were ultimately cut from it. The above photo of Ann and Lyle Talbot which I recently purchased is from a scene in the film that is no where to be found. I have a couple of other Three on a Match stills from cut scenes and have seen a couple others in various places over the years. Talk about lost footage I would love to see!
I have to admit I am rather sad to see November come to an end. Sure, my three-year-old is beside herself that it’s finally December with Christmas around the corner, which is almost as exciting for me. However, November 2013 was one of my most memorable and I think can appropriately be called the “Month of Ann Dvorak.”
I had dreamed of having an Ann Dvorak biography published for years, and its release on November 4th exceeded all my expectations. I was treated to positive reviews by five film bloggers and one online magazine, a fabulous mention by old school columnist Liz Smith who likened Ann to Gloria Swanson, a radio interview with yours truly about writing the book on the subway, along with a discussion at the Silver Screen Oasis. The official launch party was an overwhelming success with more people in attendance than the fire marshall would have liked, and the first Ann Dvorak book talk was well received.
As if all of the above weren’t enough, I was also fortunate enough to have Ann Dvorak: Hollywood’s Forgotten Rebel selected for the Turner Classic Movies Book Corner. Throughout the month I heard from countless people who saw the promo run on the station and the spoiled brat in me is sad that as of today, it will no longer be running.
Finally, I have heard some wonderful feedback from the Dvorak faithful on this site, for which I cannot adequately express my appreciation. But don’t worry, there’s more Ann Dvorak coming down the pipeline as we head into December and round out the Year of Ann Dvorak.
Yesterday, we braved the shopping crowds in order to take in a viewing of Frozen with the wee one (which by the way, was fantastic). Since we had already fought the good fight for a parking space in the busy Burbank shopping district, I could not help but pop into the Barnes & Noble where I figured I would find disappointment, but instead experienced pure elation. For there, the the Film & TV section, in between Behind the Scenes at Downton Abbey and Titanic & the Making of James Cameron, sat Ann Dvorak: Hollywood’s Forgotten Rebel.  I did have my doubts that the book would find its way into a chain like B&N and seeing it there got me choked up a bit because it was something I have dreamed about for a very long time. Don’t ask about the shelving order, which is supposed to be by author but is not quite happening. Also, I am choosing to believe that there is only one copy on the shelf because the other 5 sold (I can continue to dream, can’t I?).
There seems to be an ongoing debate over whether Amazon reviews can actually help or hurt a book’s sales. I lean towards yes, they can affect the sales because I have at times based my own decisions to purchase a book on the reviews. I am fully aware that some 5 star reviews are written by friends or family who may not have even read the book, while sometimes 1 star reviews are driven by a personal vendetta against the author rather than the book’s actual content (this happened to a friend of mine). However, I think it’s usually pretty easy to wade through the muck and pick out the legitimate reviews from people who are taking the time to write something that is constructive and helpful. Apparently reviews on Amazon may also work into some algorithm that causes the book to show up as “recommended reading,” though I am not sure if anyone has been able to prove it.
I have to admit that when I was writing the Ann Dvorak book, I obsessively read Amazon reviews of other film bios trying to get a sense of what readers were expecting from a film biography. I’m not really sure if it actually guided my writing or just made me paranoid about receiving lousy reviews, but it was always an entertaining experience.
As an author, the other nice thing about Amazon reviews is being able to get feedback (hopefully positive) from readers who I do not interact with and who may not have a platform like a blog to express their opinion of a work. After working on Ann Dvorak: Hollywood’s Forgotten Rebel for well over a decade, it’s important for me to know if the book has truly filled the information void about the Divine Miz D. I am also inclined to think there are people out there who may be on the fence about reading a bio of someone as obscure as Ann, so the reviews might actually be a push.
So, if you’ve gotten through the book and enjoyed it, please consider taking a few minutes to contribute a review to Amazon. It doesn’t need to be more than a few sentences stating why it’s worth reading, and certainly does not need to provide a rehash of her life and career. And remember, if Ann Dvorak: Hollywood’s Forgotten Rebel is a book you would recommend to other film fans, a 5 or 4 star review is appropriate.
Thanks in advance!
Yesterday, I posted a photo I wished I could have used in the book. Today, I have to confess to a glaring omission within the text of Ann Dvorak: Hollywood’s Forgotten Rebel.Â
On most nights for the last few weeks, my 3-year-old daughter has insisted that I read my book to her at bedtime. Sure, it’s probably just a ploy to get me to agree to let her stay up a bit later, but it works. As I was reading the part about about Anna Lehr’s (Ann’s mom) film career, I was horrified to discover that I had left out her most significant movie which is Laughing Bill Hyde, primarily known for being Will Rogers’ first film. I completely failed to mention it! I deliberately did not include the above photo in the book because it has been published in other volumes. In retrospect, I doubt too many people reading about Ann Dvorak would have actually encountered the image before and it possibly would have elevated Lehr’s reputation for the reader. Instead, I did not use the photo and somehow erased the film from my mind entirely while writing.
Maybe it does not seem like a big deal, but this was Anna Lehr’s only notable film and I am kicking myself for omitting it. Hopefully this will be the only major mistake.
I have finally recovered from the Ann Dvorak: Hollywood’s Forgotten Rebel Official Book Launch Party on Tuesday. I think it’s safe to say that it was more than successful and is probably one of the few Los Angeles parties where people actually showed up early. Guests were filtering in while I was sitting there getting my hair done!
There has probably never been so much Ann Dvorak piled into one room, and the response was overwhelming. The Library Store ordered 40 copies, and at the end of the evening, there were only two left. The Ann Dvorak recipes seemed to have gone over well and the food table was empty by the end, other than some of the fudge which was admittedly too sweet with a weird molasses aftertaste.
The turnout was way better than I expected and it felt like my own episode of “This is Your Life,” with some people showing up who I hadn’t seen over 25 years. There was also a good amount of people who I did not know or am related to, which reinforces that Ann Dvorak is someone others give a damn about. Being able to have the party at Central Library, which is my home away from home, made it even more special.
Thanks to everyone who came out or sent well wishes. After 15 years, it’s still bizarre to have the book out in the world but now feels much more real.
There is much news to report today so here’s the rundown.
Bright Lights in going to air on Turner Classic Movies on Tuesday November 12th at 3:45am PST. One day, TCM will screen an Ann Dvorak movie after sunrise. Until then, I recommend trying to catch this 1935 feature starring Ann and Joe E. Brown which doesn’t air too often. It’s a fun film and the pair have great chemistry as husband and wife. Hopefully there’s a Warner Archive release in our future. (You listening Warner Archive??)
This morning’s Los Angeles Times features a nice little promo for the book and launch party. Special thanks to Susan King for getting Ann some coverage.
Just a reminder that tomorrow is the Ann Dvorak: Hollywood’s Forgotten Rebel Official Book Launch Party! As soon as I post this, I will be heading to the kitchen to prepare Ann Dvorak fudge and pralines.Â
Finally, on this Veterans Day holiday, I wanted to make note of Ann’s contribution to the war effort. Not too many of us would have so willingly traveled through hostile waters as civilians during Christmas of 1940 to get to a London being bombarded in the midst of the Blitz. Ann Dvorak did just that, and spent nearly three years in the UK. One of her many contributions was as a member of the Mechanised Transport Corps (MTC) where she drove an ambulance though a war-torn city, rescuing the wounded after air raids. Above is a photo of our gal in her MTC uniform, a true veteran.
After researching Ann Dvorak for well over a decade, I accumulated a mountain of information. While most of my discoveries made their way into the book, there were other things that were left behind. Some items were tidbits that I could not seamlessly weave them into the narrative while others had that questionable scent of studio publicity. The handful of  “Ann Dvorak recipes” in my possession fell into that latter category, so they were left behind. However, some of them will be resurrected for the official book launch party, though I am assuming with varying results.
Guest blogger Mary McCoy previously discussed Ann’s New England Baked Beans, Salad Encino, and my favorite, Unprepared Walnuts. A popular consensus of friends and family agreed these all sounded like terrible party foods, so I went back into the piles of Dvorak papers and located a nice recipe for Bavarian  Crème Pudding and a very questionable one for Apple Chutney. My mom was kind enough to cook Ann’s chutney to specification – and the result was spectacularly revolting. Instead, she is going to use a more modern concoction which will be called “Ann Dvorak Tribute Apple Chutney.” Sorry Ann!
I was going to pass on the celery filled with Roquefort, but that has gotten many thumbs up, and I personally think crispy bacon & peanut butter on mini toasts sounds delightful. If I have the wherewithal, there may be deviled eggs though skipping the anchovies found in Ann’s recipe might be welcomed by guests.
Finally, we have the fudge and pralines, because “stars must eat!” Last week I did a test run and I think it was successful. The pralines turned out great and received rave reviews from co-workers. The fudge was well received by adults, though my daughter spit it out in my hand. Therefore, I think I will cut back on the amount of molasses Ann called for. This ingredient definitely gives it an old-timey taste  but apparently is not hip with today’s toddler set.
This menu may cause you to run to the party or run to the hills, but it will have the undeniable mark of our Divine Miz D (or the studio publicity people)!
Today’s post is going up a bit later than usual, but I knew this interview would be popping up on the TCM Movie Morlocks blog and wanted to hold off and feature it.
Susan Doll is an author and  film scholar whose posts on the Morlocks blog are some of my favorites. She was kind enough to give me some advice when I was filling out the publisher’s marketing questionnaire, and then performed the extremely generous task of reading an advanced copy of the book and providing a pull quote.
I hope you enjoy the interview which features a largely different set of questions than yesterday’s piece over at Immortal Ephemera.